Always been christian louboutin sneaker always of the immortal emotion - love, friendship family, often the most vulnerable is the color of love, which should always be the Swan Song of the history of art - ode to love. In this great era of personal destiny is beyond our control, not to mention his love. Liu Zhang Fan as by the mouth of the original, said: the pathos is strong. dedication. Persistent characters struggle of love and beauty, but has not arrived in the era of the wheel and over the end of life. Of course, in the is also a last resort, but inevitably to the end of this era, it must christian louboutin shoe be some thick and thin and weak, but more of a chance in it, will inevitably be criticized by a number of audiences.mainly omniscient narrative perspective, the film always adhere to the old plan is realistic and performance-based truth, not much in the narrative point of view on the changes and plot twists and turns. This is our Chinese literary tradition is to each other's, such as the four famous ancient novels, it is. In modern literature, little change in narrative perspective and circumstances of the suspense or unexpected third possibility, in this regard, the development of Western literature and art should be to enrich some changes in a variety of narrative tone, the use of various writing techniques, and we will pay more attention than the form of enjoyment. Montage, stream of consciousness, and metafiction, etc. are gradually introduced into China, more and more accepted by literary and art circles. Such as , but divided in many ways to tell a story, which set up a suspense to the audience: the story of who is really in the end, what is the truth in the end Or as in And the film's In Red China is seekingold film's main colors, from power and expectations of large lanterns, to Red, especially red, has been China's traditional primary colors. Happy, peaceful, people write from the usual red paper couplets, to the New Year's wrapped red firecrackers, to the time of marriage and red scarf red cheongsam.
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